Friday, January 2, 2009

PERUNNA SREE SUBRMANYA SWAMI TEMPLE.

HARA HARO.. HARA HARA

From the time immemorial, India has been a spiritually enlightened country consecrated by Rishis and temples of worship. Perunna Subrahmanys Swami Temple is a pilgrim center which has its own glory and greatness, mainly because of the divinity enshrined in the Sanctum - Sanctorum (central shrine) of the temple and the unique charm of the idol installed in it.

The Subrahmanya swami temple at Perunna Changanacherry is of great renown throughout the state of Kerala. Subrahmanya Swami Temple;One of the most famous Muruga temple in the state, is a classical example of the Kerala style of architecture and has many decorative murals and pieces of art. This is the venue of the world famous Thaipooya Kavadiyattam ( Kavadi) festival celebrated annually in January- February.

Perunna Muruga Temple is the place where a Very Ugra Bhava of Lord Subrahmanya is worshipped.The idol of Lord Muruga of this temple unique. There is a specialty in this idol, comparing with other idols in temples. The Vel which the Lord is holding is pointed downwards. Muruga is worshipped here in the bhava of "devasenapathi" and he is in a very angry mood as he had just killed 'Tharakasura".

History

Perunna Subrahmanya swami temple is more than 1200 years old; and is the one and only Muruga Temple in this world where Lord Muruga holds his Vel upside down; ie pointing downword; as he is killing "Tharakasura".
History.
This temple is more than 1200 years old, and the following is the incident; which lead to the construction of this famous temple.

Some 500 years back, there was a village called Umbizhi, near Perunna. ( This is the place where Changanacherry railway station now situates). This village , like Perunna; was a Brahmin settlement. Although both the villages where Brahmin settlements, Perunna Brahmins were 'SATWICS' ( those who perform only good karmas and not negative), but Umbishis were more ugra tantrics- who also performed some black magic related works

Perunna Brahmins were SIVA Devotees at that time and they had a small but powerfull siva temple for their
worship. ( which is the Keezhkulangara mahadeva temple on the east nada of perunna temple.). As their prosperity increased because of the blessings of this Siva; Umbizhi Brahmins became jealous and they have started performing some tantric rituals against perunna. They also attacked the keezhkulangara temple and destroyed the temple complex; but fortunately, perunna Brahmins were able to save the idol or vigraha. (This is the same Vigraha present in the keezhkulanagara temple).



Perunna brahmins and other hindus were shocked by the incident and a person from Idamana Illam, ( A nampoothiri from perunna padinjattumbhagam) started a pilgrimage seeking the remedy for their problems. He had travelled all the way to "Pazhani Muruka Temple" in Tamil nadu, stayed there in the temple and started a special bhajan, seeking a solution. After some weeks, he had a vision of Lord Muruga of Palani. Lord Muruga advised the nampoothiri to go to Kodunthura river in the Pathanamathitta Dist; and take the idol ( Vigraham) from the river. This idol was built in the time immemorial and was originally worshipped by the munis and rishis of various yugas. Immeadiately idaman anmpoothiri went to kodunthura and found the idol in the river.


On the day of prathishta ( Consecration) itself villagers of umbizhi smelled their defeat. They have done a very rare and secret tantric ritual and send a very powerful moorthy (diety) to destroy the Perunna Temple. When edamana nampoothiri heard about this incident he started a walk toward east ( towards umbishi illam) and on the way found a very bright ball of fire coming toward their direction. His companion, a nair karanavar offered himself as 'bali' (Sacrificed his Life) to the moorthy and edamana nampoothiri suddenly performed some rituals and was able to control the moorthy ( diety). He made some avahanas and made a moorthi pratishta ( which is the famous Maranathu Kavu Temple at NSS Head Quarters, perunna Chanagancherry) of the Maranam( God Kali).
After all these events Umbizhi Villagers were totaly destroyed and the place where the said village where situated; become dense forest.Upto some 55 years bcak; Lord murugas ( Perunna Subrahmanay Swamis) Arattu; at the time of festival; was performed at that place. Later the Govt of Kerala took control of that place and construced a Railway Station.

Thaypooya Kavadi

Thypooya Kavadiyattam. Perunna.
Click here for more details and pictures.

ThypooyamA festival occurring in the Malayalam month Makaram (January-February), the day of the star Pooyam around Pournami (Full Moon) is celebrated as Thypooyam. There was a demon named Tharakasuran who was troubling the Rishis and Saints. Lord Muruga was called by his parents Lord Shiva and Parvati and given the job of destroying the asuran. Lord Muruga set off with the blessings of his parents, to destroy the demon. He carried twelve weapons, eleven of which were given by his father Lord Shiva and the 'Vel' given by his mother Parvati. Lord Muruga destroyed Tharakasuran on the Pooyam Nakshatram day in the Tamil month of Thai and hence Thypooyam is celebrated in all Murugan temples.
Generally, people take a vow to offer the Lord a Kavadi for the sake of tiding over a great calamity. No doubt, the worldly object is achieved for the devotee who takes the Kavadi. After the ceremony he fells that his inner spiritual being gets awakened. This is also a method that ultimately leads to the supreme state of devotion.

The Kavadi has various shapes and sizes, from the simple shape of a hawker's storehouse (a wooden stick with two baskets at each end, slung across the shoulder) to the costly palanquin structure, profusely flower-bedecked and decoratively interwoven with peacock feathers.

The two baskets hanging at each end of the Kavadi contain milk, rose water, chandanam, tender coconut water, bhasmam, Sesame oil(Enna)etc that the devotee has vowed to offer the Lord. The more devout among them, and especially those who do it as a Sadhana, collect these articles by begging (bhiksha). They travel on foot from village to village, and beg from door to door. The devotees conduct pooja for Idumban before starting the bhiksha.

Some keen devotees undertake to walk barefoot from home to one of the shrines of Lord Subramanya, bearing the Kavadi all the way and collecting materials for the offering.


The Kavadi-bearer is required to observe various rules between the time he takes up the Kavadi, and the day of the offering. He has to perform elaborate ceremonies at the time of assuming the Kavadi, and at the time of offering it to the Lord. He wears saffron-coloured cloth and carry a conical scarlet cap and a cane silver-capped at both ends. The Kavadi-bearer very often observes silence. He observes strict celibacy. Only pure, vegetarian food is taken; he abstains from all sorts of intoxicating drinks and drugs. He thinks of God all the time.


Many of the Kavadi-bearers, especially those who do it as a spiritual Sadhana, impose various forms of self-torture. Some pass a sharp little spear (“vels”) through their tongue, which is made to protrude out of the mouth. Others may pass a spear through the cheek. This sort of piercing is done in other parts of the body also. The vels represent the spear of Lord Muruga that killed Idumban. Lemons are pierced and hanged from the “vels”. The acid juice of lemons and bhasma spread over the pierced flesh cures bleeding.

The Kavadi-bearer enjoys a high state of religious fervour. His very appearance is awe-inspiring; there is divine radiance on his face. Devotees often experience the state of feeling united with the Lord.


Miracles at the time of Kavadi yattam.

From the time immemorial, the thaipooya kavadi of perunna temple has become the place for miracles. As the kavadi festival has competitive spirit ( two areas namely padinjattum bhagam and kishakku- west and east) both groups are trying their very best to make their kavadi better. The major competitive events in this kavadi festivals are elephents " thalapokka malsaram" ( which is there from the time immemorial- but not so famous in medias); and chenda melam.


The thaipooya kavadi festival of this temple is a world famous one and both padinjattum bhagama and kishakkum bhagam will bring the best elephants in kerala for them. Both the groups usually has 7 to 11 or 15 elephants. Almost all the famous elephant owners know the elephant competition in this temple and some of them have actually become afraid to participate. The major reason for this is that as the " elephant from padinjattum bhagam" has the special right to have the original thidambu of Lord Velayudha, the other elephants of kishakkum bhagam; even if it is "big" couldn’t be able to raise his head above the head of padinjattum bahagam's elephant.

People have witnessed this miracle for centuries and still it is happening here. Examples are many... and it still happens....
For example in year 1998/99, the main elephant for kishakkum bhagam was famous Athira Rajasekharan and for padinjatum bhagam it was shajis puthenkulam rajendran ( now trissur sri raman). Athira rajasekharan was the best for thalayeduppu at that time and he was able to stand his head raised for hours. But for the first time in his life; on the day of thaipooya kavadiyattam suddenly he became unable even to move his head and lost the competition. witnessing this; the owner of the other elephant (Sri Puthenkulam Shaji) donated a part of his elephants rent to the padinjattumbahagam as an offering.

In year 2001 even the biggest elephant of all times kandambulli balanarayanan( who was 10 feet 8 inch in height) has failed to raise his head above the then padinjattum bhagamas Puthenkulam Anatha padmanabhan.....( this was anatha padmanabhans first festival in kerala and at that time he was less than 10 feet.)

Can you believe this?????????? The list continues.....

In 2007 puthrikovil vinayakan for padinjatum bhagam defeated Guruvayoor Valiya Kesavan and Mangalam kunnu Ayyappan. And in 2008, Chierai Krishnaprasad is going to compete for padinjattumbhagam against kishakum bhagam.

CHENDA MELAM
For the last 7 or 8 generations famous group of "thiruvalla chenda melam" experts are performing for padinjattum bhagam. They include thiruvalla Radhakrishnan, thiruvalla Harikumar, Kalanilayam Radhakrishnan, Kalabharathi Unnikrishnan, Kaviyoor Sadasivan and so on...

Perunna Inscription

Mahatma Gandi's visit to the Perunna Temple.
Perunna temple was the first temple in the state of kerala which was opened to all the hindus ( harijans and girijans) for worship. (A declaration made by the Chithira thirunal maharaja is still in the temple). hearing this incident Mahatma gandhi at his first visit to Kerala, came to Perunna temple and worshipped the lord muruga of this temple for days. A grant ceremony and also a meeting was also conducted at the eastern nada of the temple.

Perunna Inscription. ( Prunna Sasanam by the King Kulasekhara).
This is engraved on the padinjare nada of muruga templ and is in vatteshuthu alphabet, which was drafted on the 10th centaury. This is also a famous historical data of Keralam and was created by Kulasekhara Koyiladhikari of 10 th century. This shows the details of temple history and was written on the date AD 753. ( any body can see and read the inscription, which is still preserved in the temple).

Subrahmanyan

LORD MURUGA -SKANDA- KARTHIKEYA- VELAYUDHA
Murugan or Muruka called Subrahmanya (is a popular Hindu deity among Malayali Hindus, and is worshipped primarily in areas with Tamil influence, especially South India, Sri Lanka and Malaysia. But in Sri Lanka, Hindus as well as Buddhists revere a highly sacred Buddhist and Hindu shrine Katharagama temple (also in Sinhala "Katharagama Devalaya") dedicated to him and situated deep south in the country.
There are innumerable temples dedicated to Lord Subramanya in Kerala. Amongst them , the most important ones are Subramanya temple in Perunna, Haripad, Udayanapuram Subrahmanya Swamy temple in Kottayam.
Lord Murugan is more popular in South India compared to other parts of India.He is the God of war and the patron deity of the Tamil land. Like most Hindu deities, He is known by many other names, including Senthil, Saravaṇa, Kārttikeya (meaning 'son of Krittika' ), Arumugam or Shanmukha (meaning 'one with six faces'), Kumāra (meaning 'child or son'), Guha, Skanda (meaning 'that which is spilled or oozed, namely seed' in Sanskrit), Subrahmaṇya, Vēlaṇ and Swaminatha.
Kali Yuga, the age indicating the period of darkness and degeneration commenced about 3100 BC. Many Hindus believe that the presiding deity of this yugam [period] is LORD MURUGAN [Kali Yuga Varathan], whose VEL that symbolises the spear of victory, will eventually restore peace and harmony, destroying arrogance, violence and injustice. The worship of LORD MURUGAN goes back to the pre-Christian era, and forms an important facet in the religious life of Hindus. His vehicle or Vahana is the peacock: this is by way of representation that he has entirely conquered pride, egoism, and vanity. There is a cobra under His Feet: this is to indicate that He is absolutely fearless, immortal and wise. The peacock is the enemy of the serpent. It is seen clutching the serpent with its claws. The serpent is not killed but held in captivity. This symbolises complete control over the ego. The serpent represents the ego. Sometimes He stands alone with the Vel. He is called by the name of Dandapani. This represents His Nirguna aspect which is free from Maya. The six heads represent the six rays or the six attributes viz. Jnana (wisdom), Vairagya (dispassion), Bala (strength), Keerthi (fame), Sree (wealth) and Aishvarya (divine powers). They indicate that He is the source for the four Vedas and the six schools of philosophy; that He has controlled the five Jnana Indriyas and the mind. They denote that He is the Virat Purusha with countless heads. They signify that His head is turned everywhere (Visvatomukha): He is all-pervading. They indicate that He is omnipotent and that He can multiply and assume forms at His will. The term Murugan, in Tamil, denotes the Deity possessed of non-decaying beauty, everlasting youth and Godliness. The most important form of worship that a human being can offer unto the Lord is by not hurting others either by thought or word or deed. Only then life in nature becomes smooth and happy. It is this kind of worship and life that the Skanda Purana teaches us through the worship of the Saguna form of Lord Skanda.

Subrahmanya is the second son of Lord Siva. His manifestation occurred when the Devas, the celestial people, were being oppressed by an Asura (demon) by the name of Taraka. He is the conjoint manifestation of Siva and Sakti.
When Siva was deeply absorbed in his spiritual exuberance, forgetting the world, he was disturbed by cupid (kamadevan). Sakti was also observing penance to get the grace of Siva. When Siva opened his eyes, he burnt cupid. At that time six flashes, like lightning emerged, five from the five senses and one from the mind of Siva. These became six babies and the cosmic mother Sakti rolled these into one baby (Lord Murugan) with six heads and twelve arms .
Because of this evolutionary process, Subrahmanya is also known as Shanmuka, six-faced one. The six heads represent six rays or attributes, viz., Wisdom, Dispassion, Strength, Fame, Wealth and Divine Power.
Another legend behind the Lord’s birth is as follows. In order to save the good [Devas] from wicked [Asuras], Lord Murugan was originated from the Holy Sparks of Lord Siva's third eye. The story goes that the sparks which flashed forth from the third eye of Siva rushed through space, which Vayu and Agni carried and dropped into the river Ganga. By the grace of the Lord, the sparks were carried by holy Ganga to Saravanappoikai. On arriving at the tank, the sparks assumed the form of six children of unparalleled beauty. Each baby was lying on a lotus and was being lulled to sleep by the Devis of the Karthikai (the 3rd constellation of the 27 Stars). To witness this Avatara of the Saviour, all the Devas hastened to the tank along with Lord Siva and Parvati. Parvati, out of the extreme fondness of a mother, took up the babes together and called them Skanda. Instead of them remaining as six separate individual babes, there arose the form of one Deity with six faces and twelve hands. Hence he was known as Lord Arumugaswamy or Shanmukha, the Lord with six faces. As he was nursed by the six Devis of the Karthika Star, he was known also as Karthik Swami, or Kathiikeyan. Thus, to the great joy of the persecuted Devas, the Lord Himself appeared in the form of Shanmukha to protect the good and to punish the wicked. As the form of Lord Shanmukha originated in a tank of shrubs, he was known as Saravanabhava. .
Subrahmanya has two spouses, Valli and Deivanai. They represent will (Valli) and action (Deivanai). He also holds a spear given by his mother Sakti for removing the evil force of Taraka. This spear (Vel) represents (Jnana) knowledge. These three together denote the three cosmic energies of governing will, action and knowledge. He rides on a peacock, indicative of conquering pride egoism and vanity.
Agastya, a rishi (sage) journeyed to Mount Kailas, to worship Siva. Siva asked Agastya to shift two hills, Sivagiri and Saktigiri, to South India, as seats of worship. Agastya commissioned the demon Idumban, an asura who had served in the army of Surapadman, to undertake this task. Idumban collected the hills, and tied them to a simple shoulder pole by means of sacred serpents which were used in the place of ropes. This was the prototypical Kavadi. Near the forest at a site now known as Palani. Idumban, weary, set the hills down while he rested. When he attempted to resume his journey, he found that the hills were stuck to the ground. Upon ascending the slopes he encountered a youth clad only in a loin cloth, holding a staff, and "…shining like a thousand suns." This youth claimed the hills as his own. In the subsequent fight, Idumban was killed. Both Agastya and Idumpi (Idumban’s wife), interceded and pleaded on Idumban’s behalf, and Murugan restored Idumban to life. Idumban requested that he remain forever at the portal of Murugan’s shrine. Murugan duly appointed Idumban as official gatekeeper at his temple and advised that henceforth all who worshipped Murugan with a Kavadi would first acknowledge Idumban. This is named as Idumpan Pooja.

Historical Development.
The main temples of Murugan are located in Southern Tamil Nadu. They include the Aru Padaiveedu (six houses- rather, military camps in his campaign against demon) - Thiruchendur, Swamimalai, Pazhamudircholai, Thirupparangunram, Palani (Pazhani), Thiruthani - and other important shrines like Mayilam, Sikkal, Marudamalai, Kundrathur, Vadapalani, Kandakottam, Vallakottai, Vayalur, Thirumalaikoil, Vella Kovil, Kukke Subramanya. Malai Mandir, a prominent and popular temple complex in Delhi, is one of the few dedicated to Murugan in all of North India apart from the famous Pehowa temple in Haryana.
The key temples in Sri Lanka include the sylvan shrine in Kataragama / (Kadirgamam), or Kathirkamam in the deep south, the temple in Tirukovil in the east, the shrine in Embekke in the Kandyan region and the famed Nallur Kandaswamy temple in Jaffna.
There are several temples dedicated to Murugan in Malaysia, the most famous being the Batu Caves near Kuala Lumpur. There is a 42.7m high statue of Lord Murugan at the entrance to the Batu Caves, which is the largest Murugan statue in the world.
Sri Thendayuthapani Temple in Tank Road, Singapore is a major Hindu temple where each year the Thaipusam festival takes place with devotees of Lord Muruga carry Kavadis seeking penance and blessings of the Lord.
In United kingdom, Highgate Hill Murugan temple is one of the oldest and most famous.
In Australia, Sydney Murugan temple in Parramatta (Mays Hill) is a major Hindu temple for all Australian Hindus.

Murugan- Mercifull Loard

Subrahmanya - The mercifull Lord.
"The fiery Mass That stood as Brahman That hasth no beginning Assuming a form from formless, From several unto One, Thus rose a TirumurugaWith six merciful faces and twelve eyes, For the universe to get rescued."
-Kanta Puranam by Kacciyappa Sivachariyar 1
In the Holy Pantheon of Hindu gods and goddesses,Muruga has been given pride of place. 2 This is particularly discernible in the southern parts of India and some countries in the Far East where Tamil-speaking people form a significant segment of the population. Lord Muruga is considered essentially as the Tamil God (Tamizh Kadavul). He is the repository of Jñana (Knowledge) and the very fountainhead of the three branches of Tamil literature -- prose (iyal), verse (icai) and theatre (natakam). Great sages like Agasthya had worshipped Him and secured His grace. The dwarfish Agasthya, according to legends, had gone to Podiyamalai in the South and maintained the earth's equilibrium at Lord Siva's command. The occasion was Siva's marriage with Parvati when large multitudes of sages and devotees flocked to Kailasa, causing sinkage of the earth's north side (Himalayas) and upturn of the southern portion.3 Nakkeerar, Poyya Mozhi, Auvvaiyar, Kacciyappa Sivachariyar, Kumara Gurupara and Arunagirinatha are the other names instantly coming to one's mind; they were all close to Muruga's heart and who composed priceless and soul-stirring devotional gems in Tamil.
Muruga's glory and pre-eminence arise due to three reasons: He 'arrived' on this planet as the son of Lord Siva, as the younger brother of Lord Ganesa and as the nephew of Lord Narayana. He is venerated as Kaliyuga Varada, the God who blesses and protects those who ardently seek His grace (in this Age of Quarrel).4 Kausalya, Lord Rama's mother invoked the blessings of Skanda when Rama took leave of her prior to his departure to the forest as per King Dasaratha's wish.5 And in the Bhagavad Gita, Lord Krishna declares that among all commanders, He is Skanda.6 Muruga contains in Himself the three divine eternal functions -- creation (sristi), protection (sthithi) and destruction (samhara) as evidenced by the three first letters in His name: MU -- Mukundan (Vishnu), RU -- Rudra (Siva) and KA -- Kamalan (Brahma). The three integral elements of Muruga's personality are spear (vel) in His hand, peacock as His mount and cock adorning His banner. Vel signifies jñanasakti (power of wisdom); this was given to Muruga by His Divine Mother. Parvati wishing Him victory over asuras (titans) led by the tyrannous Surapadma. The glittering spear of Muruga is venerated by devotees as Sakti Vel or Veera Vel signifying its extraordinary power and strength. Cock and peacock represent nada and bindu. The peacock displays the divine shape of Omkara when it spreads its magnificent plumes into a full-blown circular form, while the cock proclaims loudly the Pranava sound OM. Muruga shines as the very essence of the Vedas and mantras.7
Muruku in Tamil denotes divineness, handsomeness, youthfulness, happiness, fragrance and sweetness. The Lord is the very manifestation of handsomeness, robust youthfulness, masculinity, fragrance and unmatched valour and the abode of happiness. One would be endowed with everlasting youthfulness only when he or she is not getting old. Human beings take birth in this earth, pass through different stages such as childhood, adolescence, adulthood and old age and ultimately met with the inevitable death. They are again born in this world not necessarily in the same form as they were in their previous births.8 This process goes on endlessly.9 Muruga, on the other hand, has neither a beginning nor an end; He is not born nor dead.10 Age does not wither Him away. This explains His evergreen youthfulness. The sun is not visible to us temporarily at night; for this reason one cannot conclude that the sun has ceased to exist, for when darkness engulfs a part of the globe, the sun is shining bright somewhere else. We come to know of its existence when it rises again in the morning. Muruga's 'appearance' on this planet is analogous to this eternal phenomenon.11
The epic Skanda Purana, one of the eighteen puranas created by Veda Vyasa, vividly narrates the circumstances which led to the divine 'appearance' of Muruga, His glory and heroic achievements.12 He 'rose' to protect gods who were subject to extreme tormentation and cruelty by demon Surapadma. They all appealed collectively to Lord Siva to come to their rescue. Moved by their plight, Siva willed to bring forth a powerful divine personality, an element of Himself, but yet distinct from Him, Who would have unparalleled bravery and Who alone would be able to slay Surapadma and his clan. The extremely powerful spark which emanated from His third eye was carried by the Fire God (Agni) and was deposited in Saravana ('stand of reeds') Lake; there arose six cute tiny tots who were looked after by six Krittika maidens; the six forms later united to become a single Six-Faced Child with resplendent beauty. Added to Siva's five faces Sadhyojata, Vamadeva, Aghora, Tatpurusa and Ishana was Adhomurka; thus He became Shanmukha. He is known as Saravanabhava as He emerged out of Saravana Lake, and Karttikeya since six Krittika maidens took the six babies in their arms and showered affection on them.
Brahma, the Creator, happened to slight the young Muruga during one of his visits to Kailasa. Muruga wished to teach a lesson to the Creator for his act of imprudence. He asked the four-faced Creator the meaning of the Pranava. When he could not explain satisfactorily, Muruga taunted Brahma and not content with that imprisoned him too. He concluded that Brahma was not fit to perform the assigned job. He then assumed the role of the Creator! Muruga freed Brahma from prison when Siva, Vishnu and Indra prayed at His lotus Feet and requested for the release of the Creator.13
Muruga turned a guru or teacher when He explained the essence of Pranava to His Father who received the upadesa in all humility as a disciple. He thus came to be known as Swaminatha.14
Another interesting anecdote links Muruga's taking a full round of the universe mounted on His mighty peacock. the legend has it that sage Narada once visited Kailasa, the abode of Siva, and presented Him with a divine pomegranate fruit. As is usually the case with fathers, Siva wanted to give it to His children Ganesa and Muruga rather than consuming it Himself. In this process, He hatched a plot as a prelude to an eventful drama. He would not allow the fruit to be shared by two brothers. Instead, He announced that the fruit would be given to either of the two who returned first after taking a round of the universe. No sooner had Siva said this than young Muruga started off riding on the back of His peacock. His elder brother Ganesa acted in a different manner. To Him, His eternal Parents Siva and Parvati represented the world and circumambulating them would be equivalent to circling the world. With this well-reasoned thought fixed in His mind, He took a round of His Parents and instantly annexed the prized fruit. Muruga, on return from His whirlwind trip around the universe, learnt that His elder brother had already won the competition. A disappointed Muruga left Kailasa and proceeded straight to Palani Hill in South India. The name Palani is in fact the derivative of Pazahm Nee (Thou art the Fruit of Jñana) as addressed by His Parents who rushed to Palani to soothe the enraged Muruga.
Surapadma, who had the temerity to confront Muruga despite being forewarned, became prey to His powerful Vel (spear) after a stiff fight. Muruga acted as Supreme Commander (Deva Senapati) and freed the gods from their captivity. The ever-compassionate Lord converted the two portions of His slain enemy as an integral part of Himself -- one becoming Peacock, His mount and the other the Cock adorning His banner.
Muruga's consorts are Valli and Devayanai. They represent Inch Sakti and Krill Sakti. They were in reality Sundaravalli and Amudavalli, who were born out of the tears of joy of Narayana when He incarnated as Trivikrama. Both the celestials damsels did intense penance with the object of attaining the exalted status as Muruga's consorts. Pleased with their prayers, Muruga appeared before them and ordained that Amudavalli would be born in Devaloka as Indra's daughter, while Sundaravalli would take birth on the earth in a hunter tribe.15 The Lord promised to marry both Valli and Devayanai. The marriage of Muruga and Devayanai took place at Tirupparankundram attendant with full Vedic rites. Devayanai was in fact gifted to Muruga by Devendra in grateful acknowledgment of heroism and valour displayed by Muruga as the Supreme Commander of divine forces and His triumph over the deadly race of titans.16 Deva Senapati (General of the Gods) thus became Devasena Pati (Husband of Devasena).
Muruga's wedding with Valli is replete with many interesting interludes. Muruga chose to engage in a few frolics before accepting Valli as His Consort. King Nambi Rajah of Chittoor, the head of the hunter tribe, had seven sons and he was aspiring to have a daughter. He was deeply devoted to Muruga. The sage Sivamuni, who was doing tapasya in the forest, chanced to see a female deer and his mere sight resulted in the animal becoming pregnant.17 The animal delivered a beautiful baby girl and left the place. King Nambi, who had gone to the forest with his sons to hunt, saw the bewitching babe and brought it home and began to foster the child as his own daughter. As the girl was found among valli creepers, she was named Valli.18 Valli ceaselessly nurtured the thought of Muruga even from her tender age and was determined to have Him as her Husband and none else. When she became of marriageable age, Nambi Rajah, in tune with the hunter tribe custom, sent her to 'tinaippunam' (field growing tinai [millet]). She was to keep vigil perched on a high rise rostrum and protect the crop from wandering birds until the crop was ready to harvest. It was at this time that Valli got guru diksha from sage Narada who met her and said to her that Muruga would be the ideal match for her. The words of the sage pleased Valli highly. She was in fact having this very thought for years! Narada went to nearby Tiruttani where the Lord was in repose mood after the fierce battle with Surapadma. The sage reminded Muruga about His assurance to marry the two maidens and told that one girl remaining to be wed, Valli, was yearning intensely and persistently for Him.
Muruga's leela began now.19 He first appeared as a hunter and did not find any positive response from Valli to His clever approaches. He turned into a giant venkai tree when Valli's father suddenly appeared on the scene. Thereafter, He took the form of a trembling old man and ate millet flour and honey mixture offered by Valli feigning that He was feeling very hungry. He proposed to wed her, much to the chagrin of Valli. Finally, Muruga invoked the blessings of His elder brother Ganesa for success of His mission. On the fervent appeal of His younger brother, Ganesa appeared as a wild elephant in the forest and began to chase Valli. Terrified by the mighty pachyderm's menacing advance, Valli ran for protection and came straight into the arms of Muruga.20
Muruga's abodes are countless. He resides mostly at hilltops.21 Among His holy abodes, six are prominent and these are known as Aaru Padai Veedugal. A vivid portrayal of these six sacred places is found in the opera Tirumurugatruppadai composed by Nakkeerar, the famed poet. The six holy abodes of Muruga are: Tirupparankundram, Tiruchendur, Tiruvavinankudi (Palani), Tiruverakam, Kundrutoraadal (Tiruttani and several other hills) and Pazhamutircolai.
In this Kali Yuga, chanting of Muruga's Name acts as a panacea to all sufferings.22 Those who display love to one and all, devoid of hatred, jealousy, passion, anger and avarice and are steadfast in devotion to Muruga, invariably get mental tranquility and everlasting bliss. They do not even fear death.23 The pious saints who lived amidst us and who got Muruga's infinite grace had in fact been in direct communion with Muruga and their experiences with the ever-merciful Lord have found expression in their devotional outpourings. They have attained immortality and serve as a medium for the worldly-minded who are after ephemeral pleasures to become seekers of perpetual spiritual bliss.
ENDNOTES
1. "Aruvamum uruvamaaki anaadiyai palavai onrai Brahmanai ninra jotip pizhampador meniyaaki Karunai koor mugangal aarum karamadu Pannirandum konde Oru tiru Murugan vandu aanku vudittanan vulakamuyya"
2. Also known as Subrahmanya, Karttikeya, Visakha, Shanmukha,Kumara, Skanda, Guha and Saravanabhava.
3. Arunagirinatha recalls this happening in his Tiruppukazh hymn "Ayilappu" sung at Kanchipuram.
4. "Skandasya kiirtimatulaam Kalikalmasha naashiniim"(Skanda's sacred story removes all sins and bestows fame and name). - Skanda Purana
5. Valmiki Ramayana, Ayodhya Kaanda, Sarga 25, stanzas 11-12.
6. Bhagavad Gita, Chapter 10 (Vibhuti Vistara Yoga), stanza 24.
7. A Vedic intonation on Muruga ends thus: "Subrahmanyoham,Subrahmanyoham, Subramanyoham." The repetition of Muruga's name thrice implies the reigning supremacy of the Lord.
8. Arunagirinatha says in one of his Chidambaram Tiruppukazh hymns Yezzhu kadal manalai ("Number of distressful life forms have I assumed over several births would exceed the sands of seven seas.").
9. "Births and deaths by turn do I face, In mother's womb lie I again and again. Ocean of life this, impassable and boundless is. Oh Murari, have mercy and protect me! -Adi Shankara in Bhaja Govindam
10. Stanza 12 of Kandar Anubhuti declares this truth in unequivocal terms.
11. Note the title of Kalidasa's masterly literary piece on Muruga. He calls it Kumara Sambhavam ('The appearance of Kumara') and not Kumara Jananam("The birth of Kumara").
12. The credit for translating this magnum opus into Tamil, and that at the command of Muruga, goes to Kachiyappa Sivachariar, who lived in Kanchipuram and was the priest in the temple of Kumarakottam. It is believed that his sacred book has the stamp of approval of the Lord.
13. "Piqued at his ignorance (of the substance of Pranava)Once did Thou dishevel the tuft of the Four-faced Brahma in the twink of an eye; The Threesome beseeching Thee at Thy twin feet Did Thou set free Brahma from captivity..." -Tiru Ezhukkootrirukkai (Arunagirinatha)
14. Gurunatha Who preached upadesa mantra into the two ears of Siva to His heart's content" (Sivanaar Manam Kulira) from Tiruvavinankudi (Palani) Tiruppukazh.
15. A different version the author happened to hear is that she was the daughter of Upendra, younger brother of Indra. However, the Ashtothara Satha Namavali dedicated to Davayanai refers to her among other names as Vajri Sutaa (daughter of Vajrapani [Indra] which contradicts this version. That Devayanai was the daughter of Indra is confirmed by Arunagirinatha when he refers to Devayanai as Vajrapanik-kumari in his Bhuta Vetala Vakuppu and to Muruga's wedding to "Indra's daughter" in Tiruchendur Tiruppukazh 'Padar Buviyin'.
16. Asurar Kulantaka (Yama to the Asura race), so eulogizes Arunagirinatha in one of his compositions.
17. Sage Sivamuni and the deer were none other than Lord Visnu and Sri Lakshmi; sage Kanva had cursed them to take these births.
18. A thick, sweet and edible tuberous root.
19. It is seen from the Tiruppukazh song Talai Mayi Kokkukku...(Pazhamutircolai) that Muruga proceeded to wed Valli without the knowledge of Devayanai.
20. "Lord who came as elephant and blessed young Muruga to marry that hunter girl (Valli) that very moment" runs a Tiruppukazh song in praise of Vinayaka (Kaitala Niraikani)
21. Devotees call Muruga as Kundrutor Aadum Kumaran, 'Kumara who resides on every hill'.
22. Muruga Himself is said to have told Narada, "Those who have sought refuge in Me have no fear, they won't be left with any wants; those who are devoted to Me have no enemies, they have no diseases..."
23. Arunagirinatha in the concluding verse of his Kandar Alankaram says: Never shall I fear Yama who follows (me) holding soola and whipping his rope. Hath I the true help of Vel and the holy Hands of the Six-faced God, The offspring of the Lord Who consumed the venom that gushed out of the ocean.

Palani ( Pazhani)

Introduction
The most famous temple dedicated to Lord Subrahmanya is Palani in the district of Madurai in South India. In the South, Lord Subrahmanya is deeply venerated and is held in great adoration cannot be a temple in the South where a separate place is not dedicated to Lord Subrahmanya.

Sage Agastya was praying at Kailasa to Lord Siva and Uma to appear on the top of two separate hills created by him, one hill called Sivagiri and the other Saktigiri. They appeared in fulfillment his wish.

As Siva and Uma appeared on the two hills, Agastya worshipping them and wanted to take the two hills to Podikai Hill in the South, his abode. Lord Siva agreed to this request of Agastya. Agastya commissioned Idumban, his disciple, to bring them. To enable Idumban to carry them with ease, the Sage initiated him in certain mantras, acquainting him also with the route.

Idumban bore the hill slung across his shoulders in the form of a Kavadi, one on either side using the Danda. Of Brahma as the rod and the snakes of the earth the ropes to tie thern, and turned towards Podikai Hill, the mountain abode of Sage Agastya. When he came to Palani he was bewildered to the route, when he received guidance from a king passing that way mounted on a horse. He went in the direction shown to him, but being fatigued, placed the Kavadi at Palani and took rest.

When Idumban was resting at Palani, Lord Subrahmanya was coming away from his parents, discomfited in a contest with his brother Ganapati. The legend says that Iswara, seated with Parvati, once called to Him His two sons Ganapati and Subrahmanya, and addressing them, said: "I have a rare fruit in my possession and shall give it to that one of you, who goes round the world and returns to me first."

Subrahmanya, eager to win the prize, started on his peacock at once, which flew with its Divine Burden quicker than lightning, while Ganapati sat quiet until his brother disappeared out of sight and then, slowly rising, went round his parents and asked for the fruit, saying: "All the worlds that are, that were and that will be are within you and, by going round you, I have gone round all of them. Therefore the fruit is mine."

Parvati and Parameswara were delighted with the reply and gave him the precious fruit (pomegranate). Long after this was over, Subrahmanya came sweating, on his peacock, only to find that he had been outwitted.

The story should not be taken literally. It is the philosophy in it, which is essential. The lesson briefly stated is, that God being known, everything else is known and no study of the external world, however comprehensive that may be, can ever yield us the precious fruit of wisdom.

"Knowledge of course will come, but wisdom with its peace and bliss will linger on the shore." Ganapati outwitted his brother by sheer wisdom. Lord Subrahmanya was not very much satisfied with this explanation of his father and in anger came away to Tiruvannagudi, the place at the foot of the Sivagiri Hill. Then he came to Sivagiri Hill itself. When Balasubrahmanya got angry for not receiving the fruit and went into seclusion, Siva pacified him saying that the fruit was not separate from him (Subrahmanya) and he himself was the fruit [Pazham (Palam) -fruit; nee-you].

Lord Subrahmanya forsook all worldly garments and with kaupeenam (loincloth only) and a baton staff in hand, he became a recluse. Finding the two hills nearby, he got on the top of one and rested. When Idumban wanted to lift his Kavadi to continue his journey, he could not lift it, as Subrahmanya had already got on the top of one and it was heavy. He investigated the reason and, finding an intruder on the top of the bigger hill, he challenged him to get down.

Subrahmanya would not Idumban raised his club to attack but Subrahmanya immediately killed him. Idumbi, finding her husband dead, looked at the top of the hill and, finding Lord Subrahmanya. There, she prayed to him to give back the life of her husband who had acted indiscreetly due to ignorance of the identity of the intruder.

Agastya was instantly found to be present on the scene. Agastya being the preceptor of Idumban imperceptibly protected him in the journey throughout, as is the custom with Hindu preceptors who are considered as God incarnate to their disciples. He also appealed to Subrahmanya for mercy. Idumban was restored to life and to Subrahmanya's grace.

Idumban prayed to Muruga that he might be allowed to stand ever at His portals as dwarapalas, and also that whoever offered vows with the Kavadi be blessed. Lord Muruga granted these boons to him. Since then pilgrims to Palani bring they’re offering on their shoulders in a Kavadi.

The hill is 450 feet in height, reached by a flight of 659 steps. The idol is composed of Navapashanam. (Nine different kinds of poisons) blended together in certain rare proportions, the resultant substance resembling wax. The mixing of the nine poisons was done by a Muni called Bhoga. Some say that the constituent of the image is an amalgam of nine minerals.

The body of the deity is not smooth and seems to have been either scraped out or corroded by age. It is said that some Siddha Vaidyas of the locality, who knew of the miraculous curative and preservative properties, of the image, scraped the body of the deity in the unknown Apparently unnoticed and used the same for curing otherwise incurable diseases of men. The touch of the body is believed to work cur, wonders.

The posture is standing one with a stout stick in the right hand that is called Dandam and therefore the deity is called Dandayudhapani (Dandam, plus Ayudham plus Pani-Dandayudhapani; meaning, ha, stick as weapon in his hand). At the neck there are Rudrakshas in the form of a garland. Here Subrahmanya is a Sadhu (ascetic), has renounced all worldly connections, To this deity abhishekam (ablution) is made from sunrise to sunset with different materials.

Six daily pujas are:

Darsan: 6 o'clock, morning Viswarupa;
Kala Sandhi;
Sirkala Sandhi;
Uchikalam (mid-day);
Sayarakshai (evening);
Rakkalam (midnight or 10 P.M.)
The sculptor Siddha Bhoga, who made the idol out of the nine poisons, descended into the cave on his eternal journey and never came back again. People say that he would come in due time again. This saint performed consecration of the deity as Sri Dandayudhapani in the central shrine of the hill. His sanctum is now a small shrine in the corner of the south western corridor of the inner quadrangle on the hill.

Navadurga, the Goddess, as Sri Bhuvaneswari, is in worship here, with a Marakata Linga. An underground passage below the sanctum is pointed out as the place whereinto the mysterious sage entered and never appeared again. The passage is also spoken of as leading From here to the Garbhagriha of Sri Dandayudhapaniswami sanctum sanctorum.

Abishekam (holy purificatory anointments) are of various kinds such as:

Gingelly oil;
Trivaipudi;
Rice powder;
Turmeric powder
Panchamritam (5 sweet ingredients. But Panchamritam, now consists of more than five ingredients namely, plantains, cane jaggery, sugar- candy, honey, ghee and raisins, dates, etc.);
Tender coconut water or mango juice or any fruit juice according to the desire of devotee;
Milk and honey;
Rose water;
Sandal pas
Ash (Vibhuti).
After each ablution decoration and dressing different poses are done like the dress of a Vyadha (hunter), Prince Balayogi and the like. The various alankaras are:

Raja alankar, (as a prince);
Vedan (hunter);
Sandal paste;
Balasubrahmanya. (Boy);
Vibhuti (ascetic or a recluse).
These decorations alter the figure of the idol to a romantic spiritual sphere. There was also an alankaram as a female, which has now been discontinued.

Festivals
The principal festivals are Tai Poosam in January,' Panguni Uttaram in April, Agni Nakshatram in May, Visakham in June, Skanda Shashthi in November, besides other periodical and monthly festivals of the Saivite calendar. The temple car is dragged thrice in the year, in Vaikasi, Tai, and Panguni festivals. Also the Silver Ratha is, drawn round the town temple in Tai and around the hill in Panguni. The Panguni Uttaram.Celebration of ten days duration in April is by far the most crowded and the chief festival of the year.

Many persons especially from Kerala State make a vow to, perform the first feeding of their babies in front of the deity. Cheraman, the great ruler of Kerala, was a great devotee of this deity and he made enormous endowments of land for upkeep and performance of daily religious rites and periodical festivals. He constructed the principal sanctum of the deity too. A figure of the King on horseback, engraved on the southern wall of the principal shrine, is an indication pointing to this.

Muruga is the special deity of Kurinchi the highlands, like Malabar, and faces towards the west in this t emple, perhaps towards the direction of the Kerala highlands. This may be the reason for the presence of considerable number of pilgrims from Kerala. It may be that as the Kerala King Cheraman favored the temple his subjects were also attracted.

It may also be explained in the way that the magnetic attraction of Dandayudhapani extends towards the direction he looks. The deity is not confined to religious- minded Hindus. Mohammedan call the deity as, Palani Baba and worship the deity at the rear side of the, temple. The entrance is to the outer prakaram where religious lectures and speeches are delivered. Mohamedans perform their prayer on the verandah round the sanctum sanctorum at the rear.

There are innumerable Mantapams on the steps leading to the top of the hill where the temple is situated. By its side, at a distance of a stone's throw, there is the other hill originally brought in Kavadi by Idumban, and it is called Idumban Malai. The figure of Idumban is here to be seen at the foot of Muruga as securing His grace.

The Sthala Vriksham, is the kadamba tree (Eugenia racemosa), the fragrant flower of which is a favourite of Lord Subrahmanya, and the trees form an avenue on the Southern Giri Veethi with a Nandavana Teertham. A well-constructed small tank, the Saravana Poigai, is the Teertha of this hill temple and it is located close by.

It is the traditional sacred water wherein Muruga took his six-faced form as Shanmukha or Arumugam and assumed besides, the names Saravanabhava (born in Saravana, a Himalayan take), Skanda (the united one) Karttikeya (from his foster-mothers, Krittikas-the Pleiades) an Gangeya or Gangesa (from the association of Ganges).

This shrine is referred to as the third of the six and many other favourite hill resorts of Muruga, in the Tirumurugarruppadai. Nakkeerar, the poet, praises the spot in many lines and gives a description of the aerial procession i gods and goddesses of surpassing beauty. The hero of course is Muruga the warlord of the gods, in whose train the other celestials follow.

Krittika Nakshatram, is the most propitious time for worshipping Karttikeya or Lord Subrahmanya.Astral influences are highest during Krittika and other festival occasions when lakhs of people visit the place. (The, sanctity of the temple and efficacy of prayer at this hill temple ha far and wide.

It is said that as many as 700 abhishekam are done in Krittika days and hundreds daily. But the slim figure of Muruga has withstood their effects for centuries, most miraculously, beyond human explanation.

In the temple precincts there are two cocks, one white and the other brown. The white one is 6 years old and the brown one 8 years, broought as chicken by some - body and left in the temple unnoticed. They are fed also. They come and sit on the metal flags at the Balipeetham the time when prayers are offered. Each takes its own seat and they never fight with each other and do not even interchange seats. Their silent sitting on the edge of the flags of Lord Subrahmanya all; the time provides thought to a sensible man to ponder whether these two birds were devotees of the Lord in their past life, degenerated to the press state for some sins committed by them.

Incurable diseases like leucoderma and asthma are cured here by use of Abhishekam water. Modern physicians say that millions of bacteria are stored in idol and anything taken out of the touch of the idol by Abhishekam also infected with the bacteria which grow in geometrical progress.

This is the reason of preservative quality of the articles offered abhishekam. This oblation (prasadam) filled with bacteria when taken internally cures the diseases of man and is a wonder cure. This system of curing diseases is called siddha vaidyam in Tamilnad.

It is an empirical truth that the oblations made to Dandayudhapani do not get putrefied for months and years when preserved, as it had holy touch of the body of the Lord. Only Panchamritam made of fruits honey, etc. is offered in the form of purificatory ablution over the It is experienced by many that the sandal paste which is pasted on the night, to be removed only next morning, isimpregnated by the contact of the body with miraculous healing powers.


Palani, the timeless centre of Murugan devotion

When the fleeting touch of the holy idol can preserve the offerings for months and years, it is no wonder that the sandal paste, through contact with it all night, is surcharged with supernatural powers. Numerous instances of such miraculous cures are reported, and desires of pilgrims are largely satisfied, which makes them visit the place again and again. For this special power of the image, Palani is considered to be the most sacred of all the six places of Subrahmanya's divine presence.

Devotees on vow carry miniature Kavadis, which are available on hire locally, on their shoulders and climb up the steps to the sanctum sanctorum to propitiate Him. This is a daily sight in the temple.

Palani is about two miles by road from the nearest railway station Palani on the Southern Railway on the Dindigul-Coimbatore route. The Devasthanam maintains well furnished and conveniently located choultries for the benefit of pilgrims. At the top of the Hill there is arrangement for food and tiffin also, served by a catering arrangement of the Devasthanam.

The Devasthanam is very rich. There is a Hundi box in front of the temple where pilgrims and devotees place their contributions. There are landed properties, shops and houses given on rent, etc., which yield nearly Rs. 11 lakhs a year. It is one of the richest temples in South India. A College of Hindu Theology has recently started under the auspices of the Devasthanam. It is affiliated to the Madras University.

There are many temples in the vicinity. Sri Mariamman, the village tutelary goddess, is held in great esteem and annual festival to Her in March attracts large crowds of worshippers offering pots of burning fire.

Peria Udayar Temple
The main shrine dedicated to Sri Brihadeswara or Peria Udayar, represented by a Swayambu Linga, and others to Nataraja and Vishnu and the sanctum for the goddess is significantly absent. Sri Brihannayaki or Perianayaki Amman Temple is a very famous temple of the town.

Aivarmalai
Nine miles west of Palani the "Hill of the five", or Iyiramalai or Aivarmalai is associated with mythological legends. The hill is 1402 feet high above the sea level. The local tradition says that at this hill the five Pandava brothers took their rest during the last years of their exile of 13 years. On the north-eastern side, the rock of which it consists overhangs and forms a natural shelter 160 feet long and 13 feet high.

It might have served as resting-place for a while to the Pandava brothers. This has now been protected and shrines for Draupadi, Palani Azidavar and Vinayaka have been constructed. The cleft in Aivarmalai was also doubtless a Jain hermitage in the centuries of the Christian era, which is evident from the 16 rock-cut representations of the Jain Tirthankaras on the face of the overhanging rock.

Dharmapuram, about 27 miles away, is spoken of as Viratapuram Sri Maruda Kaliamman temple near-by is believed to be the place the Pandava. Arms were kept hidden on a Vanni tree. Kadattur, 14 from Dharmapuram, was where Virata's cattle were led away; Karatholuvu, 12 miles off was where the cattle were seized and impounded; Tirupur, 32 miles, where the cattle were retaken; Palani and Varahagiri places where Arjuna did penance and secured Siva's grace; Aivarmalai, itself where the Pandavas abided incognito.

Courtesy: R.K. Das

Thursday, January 1, 2009

KERALA's GREATEST ELEPHANTS.

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